Novels set during World War 2 are usually a
huge challenge to read however we all found All the light we cannot see a
real page-turner, despite the horrendous incidents portrayed. The young
character’s lives and moral dilemmas are so engaging they make the reader keen
to know what happens. Someone even wanted a happy ending! Interwoven with
their lives are themes of luck, curses and superstition. There are also the themes of logic and light
(and its opposite). There is also mention of numerous books through the text which play an important role in the lives
of the main characters.
This novel traverses 1934 to 2014 in
Germany and France, but the main action occurs in 1934 and 1940-1944. The central characters are Werner Pfennig, a
German orphan born in 1926, who is a gifted radio technician and mathematician
and a courageous and blind French girl called Marie-Laure LeBlanc, born in 1928.
Werner has grown up with his younger sister
Jutta in Zollverein in a Children’s House in Germany and Marie-Laure has grown
up in Paris with her Papa, a museum locksmith. It is the story of their lives
during the war and how they come together for a very brief few hours in Saint
Malo in Brittany in 1944.
Werner despite being very young is drafted
into the army to work as a radio technician and travels from Germany into
France and finally to Saint Malo trying to intercept enemy radio transmissions.
Marie-Laure at the same time escapes from Paris and ends up in Saint Malo with
her great uncle, Etienne. When her father is captured and taken prisoner in
Germany she is looked after by Madame Manec, Etienne’s housekeeper, and she
changes Etienne’s life. The link between
the characters is through the radio broadcasts from Marie-Laure's grandfather and uncle, heard in Germany prewar
and during the war by Werner in France.
The story’s structure is not continuous but flits around in time and place and most chapters deal with Werner or Marie-Laure separately. They are all short and punchy.
One of our members likened this novel to a ‘big baggy 19th century one’, in the way it has lots of stories within the work as well as lots of minor characters impinging on the main characters. There are some wonderful portrayals of people – such as Madame Manec who is a great cook and has looked after the reclusive Etienne LeBlanc for years but immediately warms to Marie-Laure and becomes a great support for her as well as dealing with practical matters. One member loved Jutta, for her wisdom and conscience helping her brother to work out deep moral concerns, even though she is stuck in Germany in the orphanage. We all admired Antony Doerr’s different perspective on war through these characters – he makes them very appealing despite the horrors they witness and experience.
Frederick, Werner’s sensitive friend is another person
we found appealing, despite his tragic
destiny. While at the army training camp Werner
learns from Frederick’s strength of character and morality and how to be human
and survive the war. He realised that
picking on the weaker person was not going to help him. Frederick’s mother
seemed to be so uncaring and nasty before the army inflicted the torture on the
boy. This experience disables him. His mother felt guilty afterwards and showed
her love by caring for him for the rest of his life.
Frau Elena, the matron of the orphanage is not a stereotype matron in that she is compassionate and caring and a good cook. She also recognizes Werner’s brilliance. As well she is feisty with the authorities. We all hated the rape scene in Berlin and were shocked by the girls’ submissiveness.
The story’s structure is not continuous but flits around in time and place and most chapters deal with Werner or Marie-Laure separately. They are all short and punchy.
One of our members likened this novel to a ‘big baggy 19th century one’, in the way it has lots of stories within the work as well as lots of minor characters impinging on the main characters. There are some wonderful portrayals of people – such as Madame Manec who is a great cook and has looked after the reclusive Etienne LeBlanc for years but immediately warms to Marie-Laure and becomes a great support for her as well as dealing with practical matters. One member loved Jutta, for her wisdom and conscience helping her brother to work out deep moral concerns, even though she is stuck in Germany in the orphanage. We all admired Antony Doerr’s different perspective on war through these characters – he makes them very appealing despite the horrors they witness and experience.
Frau Elena, the matron of the orphanage is not a stereotype matron in that she is compassionate and caring and a good cook. She also recognizes Werner’s brilliance. As well she is feisty with the authorities. We all hated the rape scene in Berlin and were shocked by the girls’ submissiveness.
A different sort of person is the German
army officer, von Rumpel, looking for the Sea of Flames jewel. We thought he
was a stereotypical personality with his prostate cancer and his psychotic
behaviour. He created huge fear for Marie-Laure and for the reader. In contrast
we really liked the gentle giant, Frank Volkheimer who cares for little Werner
through much of the war.
The Sea of Flames, a precious stone owned
by the Museum National d’Histoire Naturelle impacts upon the lives of Marie-Laure, her father and eventually Werner. It is crux of the superstition and
luck themes. The key from this museum also traverses the novel and turns up in
unusual places.
Logic helps Werner work out the radio
frequencies so vital to the German war offensive as well as tracking down Marie-Laure. Marie-Laure and her papa use logic to get her around Paris and around
Saint Malo after learning the streetscape through the wooden models. Logic has
a calming influence too when trying to cope with living in a time when things are
out of control.
Light in the title has to do not only with
Marie Laure’s blindness but also with the state of the countries during the war
and peace afterwards. Light is also an analogy for doing the right ‘thing’
which is a concern for both young people. Werner also experiences a period
stuck in the basement of the bombed hotel when all is dark for him. When he
escapes to the light he meets Marie-Laure. When Werner was very young he heard
Marie-Laure’s grandfather talking on the radio saying ‘open your eyes … and see
what you can with them before they close for ever’. (p. 86, Fourth estate
edition). His father also dies in the coal mine in the dark, a memory which
haunts Werner.
Books are also important markers in this
novel – for instance Frederick shows Werner the magnificent Birds of America by Audubon. And Werner sees another copy but less
splendid at Marie-Laure’s house. Her uncle gives her Twenty thousand leagues
under the sea by Jules Verne which they read together and which gives her
added strength when she is very frightened. While growing up she reads Around
the world in 80 days. Also Werner’s
earliest book is The principles of
mechanics, which he likes as much as Marie-Laure likes her novels. We were not sure of the purpose of the books except to highlight
their importance in the lives of these young ones. We also admitted many of us hadn’t read the
French classics.
Bees are also another theme – the Bees
hotel for instance and the crests of bees carved into the oak.
We appreciated the language as well – it is
clear, concise and lyrical at times. One reader noticed that there were many descriptions
of the environment. I must admit they escaped me completely. The language is
very evocative and not overblown.
Only one member has been to Brittany and
she loved it. She saw little villages and nuns in traditional garb and elderly
ladies wearing traditional costume. It had great charm.
There were a few less complimentary
comments about this novel, such as some members were not convinced by the ending and could not
see the point of carrying the story up to 2014. It didn’t really achieve much
they felt. One reader was disappointed that the children spoke like modern
young Americans, ‘doing math’ for instance. She also felt that Frederick was
weird. We were also a little confused about the destiny of the Sea of Flames –
was it really gathering moss in the sea grotto or was it with Werner and that
was why he had to die ?