Our group's June book was Australian author Steven Conte's second novel, The Tolstoy Estate, which takes place over six weeks - November-December 1941 - of Germany's World War 2 campaign in Russia. The specific setting is a German medical unit that was based in Yasnaya Polyana, Tolstoy's estate, near Tula, south of Moscow.
- Enjoyed it because of its setting in a German army hospital in Russia, its exploration of love (particularly of love in difficult times), its discussion of writing and literature with wry reflections on Conte’s own book, and its structure with its sudden change of tack partway through.
- Loved it, couldn't put it down, because of its details which suggested it was well-researched. The harrowing details felt convincing, and the ending didn't let me down.
- Loved it, though got tired of all the operations, so loved it when the first set of letters appeared, because this kept me going. Haven't read War and peace and felt it might have added some layers. Loved the description of the house.
- Really enjoyed it, found the historical context very interesting, including that Tolstoy was a pacifist, as this novel is. It's a little romanticised, but reality wasn't romanticised. Hitler and many in the army used drugs during war, which may have resulted in some madness or deluded behaviour. There were great characters in the medical team, some feeling real, others more "hyper-real".
- All of the above. As with Overstory, this is a book I'd love to write an essay about to draw out all the paths. Enjoyed the themes about love and writing (such as its discussion of "the usual reasons one values a novel"). Thought the book was particularly about Katrina, and the many facets of her as a person. Was interested in the reference to the Kreutzer sonata.
- A bit "iffy" at the start but ended up enjoying the book; it won me over.
- Liked it but didn't love it. Thought A gentlemen in Moscow was a better novel (says the member who recommended this one!) The references to the use of drugs during war are real. The surgery scenes felt like they'd come straight out of a textbook. Thought the Caesarean scene by candlelight was a bit far-fetched but "it probably did happen sometimes". Made me want to read Tolstoy again.
- Enjoyed it, particularly all the different characters. Found it a gentle book, considering the topic. Liked the descriptions of the snow, trees, countryside.
- Really enjoyed it, though doesn't think it's a great book.
- Really enjoyed it too, found it a visceral read with the descriptions of the icy cold conditions on the dressing station, in particular. The surgery scenes were very real. Thought it a political story, about a good man in a bad army. Katerina, also, was a good person in a bad regime.
doing good in the world; because if, as Tolstoy argued, we are all specks in a vast world-historical drama, including those who think they’re in charge, it follows that everyone’s actions are potentially significant, that the humblest person can influence events as much as any general, emperor of tsar. (p. 218)
It was good to be reminded of the talents of the young, who in time would run the world and, one hoped, make a better fist of it than those who were currently in charge.
We also talked about the links with War and peace re Napoleon's retreat from Moscow. As one member said, both Napoleon and Hitler's armies had confronted unseasonably cold winters.
We looked at some of the questions from Steven Conte's website.
We talked about Metz being mercurial, unreliable, and able to be "played" by Katerina. Bauer believed the drugs being given experimentally to Metz affected his mental ability. We talked about their being value in "understanding" bad behaviour but where is the line? At what point can you forgive? Also, how do you empower people to stand up for their own beliefs? One member noted that Metz was good at his job, and did save lives.
Considering the discussion this question engendered, one member suggest that it was a sign of a good novelist that we could get so much into the skin of his characters.
Another question concerned the structure and plotting: "What did you think when the first letter was introduced into the narrative? Did it shock you? Did it change your mind about the novel or change the way you read it? Did it reduce the tension for you or increase it?"
A member complimented Conte on his insight into human feelings, finding particularly real Katerina's description of how she missed Paul.
Being Canberrans, we immediately thought of the challenges currently faced by public servants whom we feel are not encourage to give "frank and fearless advice" but to follow party lines. We talked about other works which explore personal responsibility, including Bernard Schlink's The reader, and Christopher Hampton's play, A German life, about Brunhilde Pomsel who worked in Joseph Goebbels’ Propaganda Ministry.
This was a book that engaged us all and generated a wonderful and wide-ranging conversation. A great choice, even if the person who recommended it didn't love it!